Monday, December 30, 2024

Monotony and Glory in Space

Title: Orbital
Author: Samantha Harvey

From the publisher:
"A slender novel of epic power and the winner of the Booker Prize 2024, Orbital deftly snapshots one day in the lives of six women and men traveling through space. Selected for one of the last space station missions of its kind before the program is dismantled, these astronauts and cosmonauts—from America, Russia, Italy, Britain, and Japan—have left their lives behind to travel at a speed of over seventeen thousand miles an hour as the earth reels below. 
 
Treats not allowed on the space station.


We glimpse moments of their earthly lives through brief communications with family, their photos and talismans; we watch them whip up dehydrated meals, float in gravity-free sleep, and exercise in regimented routines to prevent atrophying muscles; we witness them form bonds that will stand between them and utter solitude. Most of all, we are with them as they behold and record their silent blue planet. Their experiences of sixteen sunrises and sunsets and the bright, blinking constellations of the galaxy are at once breathtakingly awesome and surprisingly intimate."
 

Insights and Opinions

In a departure from the norm, we met in December both to celebrate the holidays and to continue cheering each other up after national circumstances too dire to mention. Of course we needed to start with a round robin on who was doing what for the holidays, then segue to tech support as Jocey expertly captured Chris and Steve via remote connection and a TV tray, then engage in general munching and appreciation of Lois' contribution of liquor-soaked chocolates, after which we ran up against our 30-minutes for general chitchat rule, and started discussing the book.
 
+ Shirley got us rolling with her observations. She found the initial pages, which described in detail what each of the astronauts was doing as part of their work, boring, and was eager to move past it. But later, when Pietro recalls his teenage daughter asking him if he thinks progress is beautiful, his answer made her sit up and pay attention. He says "...you didn't ask if progress is good, and a person is not beautiful because they're good, they're beautiful because they're alive, like a child. Alive and curious and restless. Never mind good...Sometimes destructive, sometimes hurtful, sometimes selfish, but beautiful because alive. And progress is like that, by its nature alive."
 
+ Chie's mother makes a similar point later in the book when she says "...you might regard in wonder these men walking on the moon but you must never forget the price humanity pays for its moments of glory, because humanity doesn't know when to stop, it doesn't know when to call it a day, so be wary is what I mean though I say nothing, be wary."
 
+ Margy also was struck by that passage. The astronauts are "so aware of where they are, and also realize the beauty of things until humans get there. But what they are able to see trumps all of that."

+ Jocey read the book as a eulogy, feeling that the author is balancing the beauty of what the astronauts see from their windows every day with what's happening to people on the ground. From space, the view is astonishing and beautiful and without borders while on the ground, a powerful global-warming-fueled typhoon is pummeling the Philippines.

+ Chris didn't think of it as a eulogy and was fascinated by the science, the number of transits around the earth in one Earth day, the experiments taking place on board, the daily routine of people in a small space orbiting the planet. On the other hand, she said, "I found it to be a fascinating book in many ways, with many great passages, but then I also wondered how the author could take something that is so magical and make it so monotonous." Margy agreed, saying "A little plot would have gone a long way."

+ Steve couldn't tell if he found it monotonous or not as he was listening on audio, which is a very different experience from reading off the page. He was struck by the author's gift with metaphor and her extraordinary insights into human nature and also science. "I learned so much that I have never been exposed to before. I've never read a book like this before in my life." Chris and Liz, both space nerds, agreed.

+ There was some discussion as to whether this book is really a novel. Liz, for instance, decided that Orbital is not a novel, but a really long poem because of the beauty and rhythm of the language, the long sentences strung together in unusual ways, the cadence one would hear if reading it aloud. "I would have hated this book if I continued to think of it as a novel. But about three-quarters of the way through, I decided it was a poem and just sat back to enjoy the beauty of the sentences."

+ Linda referenced the New Yorker review which states that Orbital is unlike any other novel ever but that it does what only a novel can do. "My husband loved this book, but he's a scientist. I wanted to love it. Then, about two-thirds of the way through, I thought 'Oh! This is just like The Waves, with six characters who never merge, and then I read later that the author's favorite author is Virginia Wolff.'"

+ Did any of us come to care about any of the characters? Not really, with the possible exception of Chie, who is interesting because of her quirky list-making and because we know more of her history. The rest of them are too distant and only part the scenery.
 
+ Each of us had favorite passages to share, and we were all taken with the moment when the caller from Vancouver asks Roman if he ever feels crestfallen. This opens a four-page analysis of the meaning of the word, Steve's favorite passage in the book. "I loved her careful nuanced definition of crestfallen. Harvey has a hard-fisted command of the English language -- a scientific precision."

+ Linda wondered if our group felt this book deserved to win the Booker Prize. Lois felt honors should have gone to Percival Everett's James instead, which "gives us a whole new perspective on a classic we accept as the story of its time, takes it inside out, stands it on its head, and says okay now what do you think?"
 
+ While it doesn't have the traditional structure and story arc of the typical novel, Orbital is a book from which we all learned a great deal and is definitely worth the read.
   
The earthlings
Those we patched in from the space station.


 

What's Next on Our Docket

 
For January, we will read The Ministry of Time by Kailene Bradley. If enough of us are in town, Steve will host. Otherwise we will meet via Zoom. In either case, we will Zoom in those who are out of town.



Monday, December 2, 2024

Original Fairy Tales that Beg to Be Read Aloud

Titles: The Puppets of Spelhorst and Hotel Balzaar
Author: Kate DiCamillo
 
Kate DiCamillo occupies a special place in our hearts for a host of reasons, not the least of which is that she calls Minnesota home. With both Newbery Medal and National Book Award honors, DiCamillo is a master at crafting prose both simple and profound, challenging young readers with stories that invite them to embrace the darkness while following it through to a better place. 
 
To celebrate the publication of her newest work, Hotel Balzaar, we chose it as our monthly selection along with the first book in this series, The Puppets of Spelhorst. On the slim chance she'd be available to join us, we dispatched Margy Ligon, our charge d'affaires, to make the invitation. (Oxford Languages defines charge d'affaires as "a state's diplomatic representative in a minor country.) She was kind enough to answer us, but the answer was no. Our country is way too minor.

DeCamillo's kind refusal.

The Puppets of Spelhorst is an original fairy tale that tells the story of five puppets, shut up in an old sea captain's trunk, where they bicker and brag and keep each other company in the dark, imagining a future in which they will all play an important role. Their day comes when they find themselves on the mantel in the home of two little girls. The black and white illustrations by Julie Morstad add dimension and magic to these pages that demand to be real aloud.
 
While Hotel Balzaar is marketed as the second work in a trilogy, it bears little connection to the first other than in mood and place. There are no shared characters or story elements. 
 
In the Hotel Balzaar, Marta's mother arises every day, puts on her maid's uniform, and tells Marta she's free to wander around the hotel, but must be quiet and invisible. She spends her days chatting with a dozing bellman, watching a cat chase a mouse around the face of the clock, and studying a painting over the fireplace. She dreams that her soldier father, who is missing, will return. Then, an elderly countess with a parrot checks in, promising seven stories, told one at a time. As she listens, Marta hopes the stories will lead to the answer of her missing father.


Insights and Opinions

+ In acknowledgement of the fact that these two parts of a purported trilogy bear little connection to each other, Margy observed that both are about the power of story. The play written by Emma in Puppets creates a starring role for each of the puppets and finally bring their world to life after endless years of yearning. The stories told to Marta by the countess in Hotel Balzaar fill her boring life with wonder and lead to her father's return.

+ We posed the question: are these two stories about choosing home and love over seeking greatness out in the world? Or are they about following your dreams? Steve believes they are about both, and Chris pointed out that the two are not mutually exclusive.

+ Our readers universally loved the puppet characters in The Puppets of Spelhorst. Each has a finely drawn personality with quirks that are equal parts endearing and annoying. The king is obsessed with doing king things, the wolf can't stop talking about her teeth, the owl dreams of flying, the boy and the girl yearn to see the world outside the box.

+ We spent some time trying to decide the appropriate age for readers of these two books. Each is too long to be a bedtime story and Liz felt both would be difficult for an anxious child unless the resolution could be reached in one sitting. We decided that both would be best for a child of 10. DiCamillo herself says she writes for children and their parents.

+ Overall, we agree these are lovely stories that hold your attention to the end, delight with engaging illustrations that support and illuminate the text, and introduce us to characters whose lives, while difficult, can teach us about the value of hope, yearning, humor, and belief.

Now, On to a Different Topic Altogether

The second half of our meeting was spent sharing our answers to the question "what are your favorite three books from our many years of book clubs?" Without preamble, here are the choices.
 
Chris: The Sentence, Let the Great World Spin, The Golum and the Jinni
 
Jocey: Bel Canto, A Gentleman in Moscow, The Night Watchman
 
Margy: The Overstory, The Hare with the Amber Eye, This Is Happiness
 
Steve: The Covenant of Water, The Overstory, The Sentence
 
Linda: The Overstory, The Covenant of Water, A Tale for the Time Being
 
Liz: The Overstory, The Covenant of Water, Matrix
 
Lois: Bel Canto, On Sal Mal Lane, The Great Circle 
 
Blanche:  Being Mortal, The Overstory, The Night Watchman (tied with The Sentence)

Our Next Book

In a departure from the usual, we will meet in December to continue our ongoing attempt to cheer ourselves up.

Title: Orbital: A Novel (Booker Prize Winner)
Author: Samantha Harvey
Date/Time: 1 pm, December 16
Location: Liz's house